October 11, 2024

Best Damon Albarn Quotes About Work

Dive into the mind of Damon Albarn, the visionary behind Blur and Gorillaz, through his own words. These 20 quotes offer a glimpse into his unique perspective on music, life, and art, revealing the depth and ingenuity of a true musical maverick.

  1. "I used to go to work and take heroin in the studio and then stop when I came home."

  2. "Well, as resources inevitably disappear [in Africa], people have to make do with a lot less. You have to be much more ingenious with a lot less, and accept that you can't get your perfect tuna sandwich on a street corner."

  3. "I was going through a breakup. I was depressed... I really did need to do something. Recording an album was a great escape. I don't know what would have happened if I wouldn't have started to work."

  4. "I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works."

  5. "I used to be younger than my producers but now I'm older than my producers and I think that works for me, that works better cause you get a good kick up the ... everyday."

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  1. "I'm slightly ambivalent to the whole relationship between the whole advertising world and music. I think sometimes it works and sometimes it's a really bad mismatch."

  2. "I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics."

  3. "The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity-obsessed culture to move around genres and sort of change your ideas, change your face, you know?"

  4. "When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this."

  5. "Being in Blur has allowed me to travel and hear the music that’s being made all over the world."

  6. "As soon as it sounds fine, I’m on to the next thing, man."

  7. "It’s not like my old self – I’m not in character anymore, I’m me. I’m not hiding behind that anymore."

  8. "I was approached by Oxfam to go to Mali as their ambassador and get involved in their various initiatives out there."

  9. "Music is something that should speak for itself, straight from the heart."

  10. "I don’t need to be a frontman all the time, and in fact, the older I get, the less of an urge it is inside me to play that role."

  11. "Whenever you’re writing something that’s reflective, you have to put yourself through some sort of ordeal just to understand the way you’re feeling."

  12. "I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link."

  13. "More and more, cultural groups are cross-pollinating, and we’re getting much more interesting art as a result."

  14. "The whole period has taught me that I enjoy being part of an ensemble rather than just a front man."

  15. "I like to go to Africa purely with something to do. I’m not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it’s not me at all."


September 13, 2024

Top 20 Damon Albarn Quotes About His Music And Life

Here are 20 quotes by Damon Albarn, reflecting his thoughts on music, life, and creativity:

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  1. "The things that make me happy most are my family and working."
  2. "If you don't see something as a career but as an important part of your life, you don't know how you're going to feel about it." 
  3. "There's always been a hip-hop element to my trousers." 
  4. "I have to wear a new T-shirt every night. I throw them into the audience. One day I'm going to go around the world and reclaim all my T-shirts." 
  5. "What you learn from working with other performers and musicians is invaluable, really, and can only help you grow." 
  6. "Each individual has their own opinions about whether war is an answer to any problems. Personally I think it's a waste of time." 
  7. "No, every album is something like a snapshot. It only shows one moment in time." 
  8. "Yeah. You've seen The Sun today; I've got myself a big house, settled down. Apart from the odd night out with the New Fathers' Club, I'm a family man now." 
  9. "The whole Gorillaz concept is one for mavericks; it's a way for people who never have a chance to work together being able to ally behind the cartoons." 
  10. "Every time I go to Africa, I see the future. I see what the Western world is going to become. It's a very futuristic place." 
  11. "Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time."
  12. "I've always been inspired by different cultures and their musical traditions. Diversity is what makes our world so beautiful."
  13. "My goal is to constantly evolve as an artist and explore new sounds and ideas." 
  14. "Music has the ability to transport you to different places and evoke a wide range of emotions." 
  15. "The best songs are the ones that connect with people on a personal level. They become a part of their lives."
  16. "Failure is just a part of the creative process. It's through our mistakes that we learn and grow." 
  17. "I believe that art should challenge people's perceptions and make them think." 
  18. "Being in Blur has allowed me to travel and hear the music that’s being made all over the world." 
  19. "It’s not like my old self – I’m not in character anymore, I’m me. I’m not hiding behind that anymore." 
  20. "The cartoon is a metaphor really for the fact that it’s almost impossible in our celebrity obsessed culture to move around genres and sort of change your ideas, change your face, you know?" 



 


June 5, 2021

Best Damon Albarn Quotes Of All Time

Damon Albarn has always had a way with words. He has said so many memorable things over his musical career. Here are some of the highlights from the man himself. 

1. "I must admit that I always found it incredibly easy to get off with girls. When you’re a teenager, picking up girls is a bit like getting run over by a large vehicle. You see a juggernaut approaching and you have to know when to throw yourself under it. I always seemed to know when to throw myself on the floor and get what I wanted." (on getting girls)

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2. "I don’t feel anything with a passion. I’m not a very passionate bloke. I can’t bring myself to actually believe in passion." (on his interests)

3. "Life is very different in my home. My status is extremely different. I’m not taken very seriously, in a good way. I walk around in my pants, which my daughter finds highly embarrassing. I’m just a normal, down-to-earth dad." (on fatherhood)

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4."I’m actually really passionate about puppets. I had these puppets made of me when I was in Jakarta. I originally wanted to use them in a video for a song on the album, 'Hollow Ponds', which has a strong dateline of me growing up. So now I’ve got these ten puppets of me at home – and one of Barack Obama. I may turn it into a puppet show for kids. I love puppets." (on his passions)

5."That’s just been lost this year. I think that, even though we’re not necessarily aware of it at the time, we all evolve when something like this happens." (on Covid lockdowns)

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6."When you’re in an indie band it’s like a marriage, you know? You’re married to everything about it. I was just at the front being a fucking knobhead frontman for quite a long period of time." (on Blur)

7."I was always accused of being a bit of a dilettante back in the day. I never really saw it like that. I was just interested in lots of different things, and I wanted to see how I could somehow articulate my own thing through other things. No one actually comes up with something that reinvents music." (on music)

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8."Rock is the easy option. You can write mediocre songs, mumble words, put a lot of attitude into it and be successful. But pop is so much more of an expose. If 'Girls and Boys hadn't had something to say and the sounds that we used hadn't been thought through, it would have been embarrassing." (on writing pop songs)

9. "I don't think anybody understood the irony. I seriously doubt it. Modern Life Is Rubbish [1993] and Parklife [1994] were angry records. The Great Escape [1995, number one in the UK, and Blur's biggest-selling album worldwide to date] was a rather cynical album, everything seemed to be going down hill, and I was cynical, too cynical." (on his albums)

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10. "We were together for eight years. Eight years are a long time, a very long time. Especially if the relationship is as public as our relationship was. I went through a phase where I thought I've got to justify my feelings, everything I invested in that relationship. As a musician usually music is your way out." (on his ex-girlfriend Justine Frischmann)


May 7, 2021

The Most Scandalous Damon Albarn Interview You'll Ever Read

Today we are taking a time machine and travelling back to 1994, where Damon Albarn gave a very scandalous and revealing interview to Loaded Magazine. The interview was re-published in 2015 to celebrate the magazine's anniversary. 

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Pork Life

Damon Albarn gives (probably) the best interview you’ll ever read – on bisexuality, cunnilingus and self-pleasure.

Bisexuality, shagging the queen, fancying Adam Ant, the wheelbarrow position, cunnilingus, losing his virginity, period sex – and eating live ladybirds.

Welcome to (probably) the best interview ever given by a musician, courtesy of Damon Albarn. The Blur frontman may have confessed last year to taking heroin.

These days it’s unlikely you’ll get Albarn, 47, to talk about much beyond his love of African music and his arthouse musicals such as Dr Dee and the recent Wonder.land.

Thankfully, things were different when the singer sat down with Loaded in September 1994 to be interviewed for the magazine’s fifth issue.

He was 26, it was just after Blur released Parklife, and Albarn didn’t give a toss about what he said.

Some of Albarn’s answers were obviously tongue-in-cheek. A lot of his interview was about sticking his tongue in cheeks. Some of his chat was about how he used to eat live ladybirds.

Here’s the sometimes startling interview reprinted for the first time – it will make you mourn the fact media training has killed such chats.

Loaded Were you artistic as a kid?

Damon Albarn I was more autistic than artistic. I was extremely slow in learning to walk and talk. My mum took me to the doctor and he said quite solemnly, ‘I wouldn’t expect too much from Damon’, like I was backward or something. I used to get away with murder though, as I had big blue eyes and a blonde fringe. I’d be wheeled around in this pram and grannies would queue up to tweak my cheeks and say nice things about me. Throughout my childhood, I felt a bit like the kid from The Tin Drum. Not that I was a psychotic midget, but I had this amazing clarity of perception about everything that was going on around me. I suppose that was the direct result of an alternative upbringing. My dad was an environmental sculptor. In our back garden in Leytonstone we had this 20-foot pea-pod made out of fibreglass. Things like that gave me a different perspective from most kids of my age.

L As a kid did you find yourself doing odd things like staring at wardrobes hoping you could will them to move?

Nah, I didn’t spend much of my time experimenting with wardrobes. The oddest thing I did was eat ladybirds, which I did up until the age of 12. It’s just something I started to do to get attention at a young age, and I suppose I developed a taste for them. I’d swallow handfuls of the things. I’d put them on my tongue and swallow them. But there was never any chewing.

L Who was the first pop star you wanted to shag?

D The first pop star I fancied was Adam Ant, but I wouldn’t have wanted to shag him. That was never on the table, or in the bed for that matter. I never went through that latent homosexual phase. I never even thought of sticking a carrot up my bottom or anything like that. I’ve always been more of an intellectual bisexual. I wouldn’t get a hard-on looking at another bloke, but I like the idea of bisexuality. It’s just that I’m not physically capable of coming up with the goods. I’ll say this though – I’m more homosexual than Brett Anderson. Always have been. As far as bisexuality goes, I’ve had a little taste of that particular fruit, or I have been tasted you might say. But I’ve never been able to get very excited about all that. When you get down to it, you can’t beat a good pair of tits.

L What about wanking?

D I was never that experimental when it came to wanking. I never went at it with raw liver or a loaf of bread with the middle gouged out. The only wanking anecdote I have is that there was this buzz at our school about bottles of Vosene. They reckoned that, if you cut the bottle in half and slipped it over the end of your dick while lying in the bath, the suction power would bring you off. If you had a particularly small dick, you’d cut the bottle at the top. If you were more generously endowed, you’d slice it off in the middle where it started to widen out. Sadly, it never did much for me. Though it did leave me slightly chafed.

L Were you a particularly enthusiastic masturbator?

D Not really. You’d get these kids who would beat themselves off seven or eight times a day. I couldn’t understand that. Never felt the need. I was never a Guinness Book Of Records candidate in that respect. As far as I’m concerned, that kind of over-activity is the sign of a vacant mind. People who wank seven times a day have got no more between their ears than Mrs Smith who lives next door with her cats.

L Who were your teenage heroes?

Herman Hesse, Terry Hall, Suggs, Marilyn Monroe, Jimmy Stewart – people like that. They were the closest I got to role models. I was never drawn to the depressed, tragic types. I liked The Smiths but I despised all Smiths fans. All my mates became vegetarians and started acting all moody and suicidal because of Morrissey. I thought that was pathetic – a load of bollocks. At that age, between 15 and 19, kids are very vulnerable. They’re leaving their family environment, finding their sexuality, trying to figure out what to do with their lives. They’re full of late-adolescent paranoia. So many bands like Joy Division, The Smiths, The Cure, Depeche Mode and Suede consciously play on that. I had those feelings of insecurity myself, but I was never going to sit in a room listening to fucking Morrissey or fucking Robert Smith or fucking Brett fucking Anderson. It’s all a big con to me. It’s selling the audience short in the worst way imaginable. That’s why I can understand kids who are into rave music these days. They can dress up and go to clubs. They’re attractive and the dancing is very sexual. The whole attitude is very positive. It’s all so much healthier than stuff like The Cure and bands like that who I regard as a malignancy. Thank god kids these days have got someone like me to look up to.

L Were you always successful with girls?

D I must admit that I always found it incredibly easy to get off with girls. When you’re a teenager, picking up girls is a bit like getting run over by a large vehicle. You see a juggernaut approaching and you have to know when to throw yourself under it. I always seemed to know when to throw myself on the floor and get what I wanted. I always seemed to attract older girls. I was into drama and music. I used to walk around with a volume of Karl Marx under my arm. This seemed to set me apart from the Dennis Wise types that populated the Essex area where I lived. I must have seemed sophisticated, and most of the older girls saw me as this kind of romantic Byron figure. And, consequently, wanted to shag my brains out. I had few complaints about that, obviously.

L How did you lose your cherry?

D I lost it at the age of 15 in a semi-detached house at the back of my school in Stanway, Essex, to a 17-year-old girl called Jane, who was the daughter of a district nurse. I’d been going out with her for four months and, because she was the oldest, she called the shots and decided the time was right. We lay down on a very clean bed, did the business, and then I walked home and had a nice cup of tea and a fancy bun. These days, I could write a thousand songs about an experience like that. I just didn’t have any perspective on it then. I just remember walking out of her house, rubbing my hands and thinking, ‘Well, I’ve done it at last!’ The earth didn’t move. I was just relieved I didn’t fuck a virgin.

L Any other memorable sexual experiences?

D Nipping over the garden fence after a maths lesson, drinking a bottle of Baileys and having a good shag. You can’t beat a bit of sex when you’re supposed to be doing double physics. There’s a touch of anarchy about that.

L How did you feel when girls first wanted to shag you because you were famous?

D It helped a lot that I was at ease with my sexuality before I became famous. So I was never like a child let loose in a candy store. A lot of pop stars who are sexually inexperienced tend to get a bit fucked up when the whole groupie thing starts. My message to Loaded readers is to get it all out of your system before you even think about settling down and having a few kids. I’ve sown a fair few wild oats in my time and I feel all the better for it. But I wouldn’t think about settling down until I was completely spent. It quickly becomes blatantly obvious that a girl only wants you because you’re famous. It becomes the easiest thing in the world, but the sex is shit. And it does fuck all for the ego. The sex doesn’t become devalued as such, but it doesn’t give you the sense of well-being that you need. The problem is that, as soon as you become well known, you have this illusion that you’re irresistible to women. It’s a bit like walking down the street really fast and forgetting that you’re wearing roller skates – which puts you at an unfair advantage.

L How would you define the sexuality of Blur?

D The good thing about Blur is that we don’t make a virtue of the fact that we’re quite sexy. Mick Jagger is considered sexy because he announced the fact that he was sexy. I find all that quite amusing. Madonna’s the best example of that type of thing. We’re talking about a woman with miserable skin who’s considered to be the world’s greatest sex symbol. She’s living proof of the fact that there’s nothing less sexy than sex, especially when it’s being waved in your face 24 hours a day. What she does with her sexuality is like the equivalent of Super Mario Bros. It’s all a massive overstatement. I’d like to think Blur are much more subtle.

L Cunnilingus. Is it all it’s cracked up to be?

D I’m quite ambivalent about cunnilingus, though I can see that it’s an important arrow in any man’s quiver. I think its appeal has a lot to do with how many drinks you’ve had and whether a woman has washed down there recently. If you’ve had a skinful, it doesn’t matter so much that she hasn’t been near the bath of late. But I’m no expert on the subject. I mean, I don’t need a diagram to show me where the clitoris is, but I’m quite a long way from mastering the art of going down. I reckon a 65-year-old pensioner is always going to be far better at it than someone of my age. It’s a case of practice makes perfect.

L How about going down on a lass when she’s got the painters and decorators in?

D I think it largely depends on how much you’re into giving pleasure to someone else. It also depends on how heavy the flow is. If we’re talking Niagara Falls, you might want to explore other possibilities for the time being. There are advantages though to that time of the month. For a start, a woman’s tits are biggest when she’s having a period, so you might fancy concentrating on them for a bit.

L Favourite sexual positions?

D
 I’m up for anything, basically. The classic wheelbarrow position is always a good one to fall back on. My own particular favourite is the ‘French Maid’ position, which, for the benefit of the uninitiated, involves a fair bit of bending down and picking up imaginary feather dusters. You can’t go wrong with the French Maid in my opinion.

L Describe the kind of women who give you the horn.

D As far as celebrities go, there’s Nanette Newman who’s always worked wonders for me. Also Neneh Cherry – I think she’s very nice. I like Caribbean girls, Indian girls, African girls and Mediterranean girls. I don’t like Orientals at all. Well, I like them, but I never fancy them. I’m not a legs man or a tits man. I think that’s a terribly restrictive way of looking at a woman’s body. That’s what porn does to you. A lot of blokes have this perspective on a woman’s body which has been learned from the camera angles in porn films – the way a woman’s body is panned over and lingered on. Personally, I prefer the whole package. Porn films have never done much for me and I’ve never had much time for things like Carry On Up The Khyber. I never found the women in Carry On films remotely attractive, even Barbara Windsor. They were always too Anglo-Saxon and plump-thighed for my liking. I prefer to watch Spanish films like Golden Balls that take their time over things. If they’re going to focus on a penis or breast, they don’t rush it. That always seems more effective somehow.

L Given the chance, would you give the Queen a good seeing to?

D I have to admit that I quite fancied the young Elizabeth Regina. I’d have been happy to have given her one when she first came to the throne. Not just because she was the Queen. I just thought she was very sexy. The same goes for that Princess Margaret who seemed like a bit of a goer. They’ve both lost it a bit recently though. I don’t honestly think I’d be too tempted these days. And would I shag Prince Philip? Nah, he’s a Greek isn’t he?

L Tell us what sorts of things move you to tears.

D Stars In Their Eyes always makes me weep. Also things like Good Fortune with David Frost. That really chokes me up. Jackie Collins and Jilly Cooper films always have me in floods. See, I love crass emotion. It does me in every time and brings out these previously unknown sentiments in me. One of the most profoundly moving experiences of my entire life was watching the last scene in Planet Of The Apes when he sees the top of the Statue of Liberty. I practically had to be stretchered off after watching that.

L What do you hate with a passion?

D I don’t feel anything with a passion. I’m not a very passionate bloke. I can’t bring myself to actually believe in passion. But there are things I hate. I hate bands like Gun. I hate people who do cover versions, get to No 1 and have the audacity to go on Top Of The Pops and act like they wrote the bloody song. I’d hate a lot of showbiz types but I’m far too showbizzy myself so I can appreciate all that stuff on a kitschy level. I hate Dick Francis books but I’d probably love the film adaptations ’cos there’d be all these sexy birds running about in jodhpurs, and you can’t go far wrong with jodhpurs in my opinion. Oh, I also hate Manchester United, Arsenal, Tottenham and anyone who’s not a Chelsea fan, except QPR fans, because they’re too inoffensive to get worked up about.

L What difference has being in Blur made to your life?

D Until Blur came along, I didn’t have a context. I was into all the wrong things. I was into Karl Marx, Bertolt Brecht and Erik Satie when cool kids were getting into The Jam and J. D. Salinger. But I’m quite grateful for the fact that I kind of did things the wrong way round. I never went to football when I was a kid. Now I’m an official Chelsea fan who gets interviewed by 90 Minutes and Shoot. A lot of kids start out with those things and get into art and literature later. But I started out reading Nabokov and now I’m into football, dog racing and Essex girls.



May 19, 2016

Top 10 Damon Albarn Quotes - New Blur Quotes 2016

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Damon Albarn is known for his short, snappy interviews, mysterious ways and sometimes awkward and outlandish suggestions. This is, of course, bearing in mind that he is one of the greatest musicians in England at the moment. Here are some insightful and beautiful quotes from some of his latest interviews in 2015 and 2016.

1. "Everyone was using the flashes on their cameras, so there was this moment, like a mania, when everyone started flashing-flashing-flashing and you could see it down the coast. In itself, it was kind of a magnificent event" - on the last solar eclipse of the century in 1999.

Albarn always has his way with words. Nostalgic Albarn is even more sentimental.

2. “When I’m lonely, I press play." 

Self-explanatory really, though don't get misled from the sexual innuendo. No, we don't think Albarn means something in another context. Really. Albarn admits it in one of the album's singles, the jet-lagged video for which he shot on his iPad.

3. "Actually, a lot of Gorillaz songs were very personal. I mean, that’s why it was interesting, because it wasn’t music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then."

4. "Let’s say I believe in the presence of other things. But have I seen a fairy? I’m not going to tell you ...” - when asked whether he believed in fairies in Hong Kong.

5. “No, nothing about Alex annoys me. He’s one of my dearest friends, but I don’t know what Alex’s political views are. We do music, not politics. We’re not a four-piece political act. So whether we agree or disagree is neither here nor there. Besides, I don’t surround myself with people who agree with me. Where’s the fun in that?” - on Alex James's quirks.


6. "Religiously, 10:30AM-5:00PM. I get anxious if it gets to quarter to six” - on his schedule. We see the perfectionist creeping back out of him.

7. "We’re in a moment of extraordinary transition as a species, and what is the outcome of that? Are we going to become closer to ourselves or are we going to become more distant?” - on Everyday Robots and its inspiration. We think Damon is going on a bit of a rant here.

8. "Do you spend all your day talking to everybody as opposed to actually doing something? Is that something that just teenagers do, or will people grow out of it? It only really just occurred to me and it’s probably just a load of old bollocks, but I have been thinking that the reason we had so many big cults back when I was younger is because there was no social media, and that was a way of feeling you were in a community. But now to become part of a community is so much easier." - on questioning the existence of social media.

9. "I have great respect for anyone who makes a fantastic musicial... but I never said that I hate modern musicals." - on BBC Breakfast, defending his hatred for modern musicals.

10. Not a quote- but a little clip:




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