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September 30, 2017

A New Gorillaz Album is to be out in 2018 !

Head's up! Damon Albarn has just announced that a new Gorillaz album may be out in 2018. Yes, that's right folks, it might just be coming soon!

But that's not the whole story. After the release Humanz this year, lead singer Damon Albarn has revealed that he’d like to release another “surprise” album, similar to The Fall from back in 2010, which arrived after a short surprise announcement.

“I really like the idea of making new music and playing it live almost simultaneously,” Albarn announced after speaking with Q Magazine. “It will be a more complete record than The Fall, but hopefully have that spontaneity.”

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The virtual band still has a number of tour dates to get to, as Damon continued regarding live performances.

“We’ve been discussing ideas for a new kind of live show,” he added. “If we’re going to do more with Gorillaz we don’t want to wait seven years because, y’know, we’re getting on a bit now. We’re excited but we need to get these shows finished first. You never know what’s around the corner.”

“My dream of being able to see holograms of real people onstage is close now. That was the idea at the beginning. We’ve been very patient and we don’t have that long left.”

So is this a teaser for a new Gorillaz album? Is this one of Albarn's many contested hints? Who knows - but what we know for sure is that the future of a new Gorillaz album remains out there for good!

Stay tuned for more (and we're back after our little hiatus!).


September 12, 2017

Gorillaz carries its energy through San Francisco’s curfew

A cartoon band, Gorillaz may have started from behind Jamie Hewlett’s caricatures but permanent frontman Damon Albarn didn’t pretend to be anything other than flesh and blood at Outside Lands in its headlining set Friday night. Albarn stepped up to the crowd in dark jeans and a black shirt, bereft of inky outlines and purple-y oil paint sheen — it was just the sort of outfit you’d expect from someone who’s 49 years old and English and not a cartoon.
Storm clouds of stage smoke floated around him, sliced through by striped, white lasers and backlit by villainous sci-fi bursts of emerald green. He stood steadily behind the mic stand in the center, singing through the color-saturated air, as the sky at the fringes of Golden Gate Park turned pink then black.

The spotlights refracting around the stage hopscotched the color spectrum as Albarn jumped around the band’s discography — seizured flashes of emerald for “M1 A1” from Gorillaz, a glare of hazy blue at Albarn’s call of “Are we the last living soul?” from Demon Days, a single sheath of white on Albarn as a twangy keyboard synth plucked out the bouncy melody from “19-2000.” It was a song played twice because the band lost its place after Albarn forgot the lyrics while down in the crowd: “I fucked up and I don’t want to fuck up so we’re going to do this again,” he said as the crowd went bananas.
Through the mishmash of alternating colors and sonic eras of Gorillaz, Albarn presented a parade of guest artists — Yukimi Nagano of Little Dragon followed American hip hop group De La Soul, who followed Pusha T, who followed Kali Uchis.
Guest artists are a common staple for the Gorillaz, the result of his role as a creative producer. Perhaps the best collaboration — performed and recorded — was that with Nagano on “Empire Ants.”
Nagano waltzed in from from stage left in a second impressive outfit (having played an hour prior with her own band Little Dragon on the same stage in a wide-brimmed neon yellow hat and puffy, ruffled dress). Her voice fluctuated gorgeously and easily over the lilting synths and driving drum line on the song from the upper half of Plastic Beach.
But, of course, it’s hard to top “On Melancholy Hill,” which the band played immediately before. The song’s keyboard line is instantly recognizable, as are Albarn’s megaphone-esque vocals as he opens with, “Up on Melancholy Hill there’s a plastic tree / Are you here with me?” It’s also one of the few songs of the night that was easy for a large crowd to sing along to — so as hands waved darkly silhouetted against a jewel-toned watercolor stage light, you could hear them shouting back the lyrics.
Following “On Melancholy Hill” and “Empire Ants” in the middle of the set, Gorillaz played 10 more songs before beginning its five-song encore with “Stylo.”
What followed “Stylo,” though, was probably the best moment of the night: Vincent Mason (Maseo) of De La Soul returned to the stage, murmurs of anticipation filling the crowd as he shuffled and leaned toward the edge of the stage, Albarn asking the audience to hush so Maseo could focus. The laugh at the beginning of “Feel Good Inc.” resounded across the park as cheers erupted alongside the prominent drum lead in. Nobody stood still through the end of the song.
The end of Gorillaz’s encore brought “Demon Days” and Albarn’s question: “We’re going to keep playing until they switch us off, okay?”
Of course, the audience deemed it perfectly okay, and Gorillaz was cut off before the end of the tune, the geometric colors of the stained glass projection behind them fading out along with the musicians. But not even the SF noise curfew could fade out the crowd’s energy.
Source- Dailycal.org 


July 16, 2017

Gorillaz- Canada Gig Review - 2017

Gorillaz
The Air Canada Centre on July 10.
Gorillaz persists in being far more lifelike than any self-respecting “cartoon band” has any right to be. Also, for that matter, a far bigger concert draw.
There was some noticeable elbow room here and there around the bowl at the 20,000-capacity Air Canada Centre for Monday night’s Toronto performance by the “fake” animated quartet — these days actually the very human ringleader Damon Albarn, a 12-piece ensemble featuring six backup singers and a handful of guest vocalists and MCs drifting in and out of the lineup as the moment warrants. That said, Gorillaz still commanded a thoroughly impressive and enthusiastic turnout for a high-concept stoner lark dreamed up by Albarn and his cartoonist pal Jamie Hewlett when they were flatmates 20 years ago.
Indeed, while those of us of a certain age might be tempted to chalk the size of the crowd up to lingering Blur deprivation on the part of the local Brit-pop audience, the reality is that there’s an entire generation out there raised on “Clint Eastwood” that probably had no idea what a Blur was in the first place. Also, Gorillaz — whose global commercial success long ago surpassed that of Albarn’s on-again/off-again “real” band — has maintained a fairly rigorous standard of quality over five admirably adventurous and eclectic albums now; those ’toons have a lot of badass tunes to pull from, and the ongoing (sort of) mystery as to who might or might not turn up to perform them live on a given night only adds to the allure of a new tour.
A new Gorillaz tour was, mind you, the last thing anyone was looking forward to after the project’s dodgy first live outing in 2002, a misguided affair that had Albarn and his collaborators (maybe) playing in silhouette behind a scrim upon which Hewlett’s characters Murdoc, 2-D, Noodle and Russel were projected. Fortunately, though, a lavish 2010 jaunt in support of third album Plastic Beach that sometimes boasted upwards of 25 musicians onstage (including half of the Clash and the late Bobby Womack) easily atoned for past sins and reset expectations rather high for the next outing — expectations which Monday night’s gig perhaps didn’t quite live up to, but which will remain up there for whenever someone coughs up the no-doubt-sizeable amount of cash required to underwrite the next ambitious Gorillaz excursion.
Monday’s Air Canada Centre appearance was only the second date on this summer’s tour in support of the recent Humanz album, and it showed. The sound was harsh and muddy for much of the performance and, while it filled out as the show went on, never really did the players onstage justice.
The pacing, too, was a little wonky, quickly adopting a meandering, noncommittally dubby tone after a strong start that had opener Vince Staples stalking the stage and firing off rhymes alongside Albarn for Humanz’ genuinely ascendant “Ascension.”
There were definitely sparks during the first half of the set — “Tomorrow Comes Today,” from Gorillaz’ self-titled 2001 debut, remains a keeper and Chicago house vocalist Jamie Principle and sidekick Zebra Katz lit the place up with a booming “Sex Murder Party” towards the midpoint — but it wasn’t until new tracks “Strobelite” (featuring another Chicago vocalist, Peven Everett) and “Andromeda” lit the place up with a proper jolt of house music that the party really got started.
From there on in it was all gold, from two killer appearances by sharp-tongued female MC Little Simz on “Garage Palace” and a throttling “We Got the Power” — wherein Simz easily upstaged the recorded version featuring Savages’ Jehnny Beth — on through a riotous encore that featured Everett nailing the gone-but-not-forgotten Bobby Womack’s part on “Stylo,” a meatier-than-meaty version of “Kids With Guns,” the predictably euphorically received “Clint Eastwood” and a nice Floyd-ian comedown with “Don’t Get Lost in Heaven” and “Demon Days.”
The flaws in the set were, ultimately, part of the charm, though. Gorillaz is, after all, a cartoon band. Technically, we shouldn’t even be able to see these songs live. It’s nice to hear the humans behind the music being so . . . human.


June 22, 2017

Damon Albarn's tribute to Grenfell victims - BBC Radio 4

Damon Albarn pays a tribute to the victims of the Grenfell building burning which happened last week in London.


June 1, 2017

Cheap Clothing for Music Festivals

It's finally the British summer and it's time for music festivals like Glastonbury, Isle of Wright and Reading! With these festivals, everyone tries to look chic and unique. Celebrities of all kinds try hard to dress up and create fashion trends. It's almost essential to get the outfit right.

With Sammydress, you can get really cheap fashion that look stylish and brilliant at the same time. We here at BlurBalls have personally been sent a few items to review, and we're pleased to say that the quality is pretty impressive. Their coats and tops are brilliant.

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They have men's fashion too, and they're all around 10-30 pounds, which means that it's very affordable for anyone who already spent a lot on their music festival or gig tickets.



If Damon Albarn and Graham Coxon Were Cereal

Here's a little mid-week humour to get you through the week! Damon Albarn has often been called "Damon All Bran" by the fans, and apparently when he was a child he used to be called "Allbran" as a joke!


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May 29, 2017

Blur - 13 Live (The Depot)



One of the more emotional concerts of Blur's time. Enjoy!


May 7, 2017

Yoins - Cheap Summer Clothing for Women


We're sure you've all heard of Yoins, a giant online shop that's been around for sometime. They have the cheapest selection of women's fashion out there, and it's perfect for those hot summer days visiting museums, going to gigs and music festivals and more. 

We recently tried to order some things from Yoins for our summer festival outfits. To be precise, we needed something for the Gorillaz concerts coming up, so here at Blurballs we got 2 jackets that will be suitable to take us from day to night. 

The items below are all what we've ordered before. The packages took around 2 weeks to arrive, which was great because usually these shops takes way longer to deliver. The package came in perfect condition and the cardigans looked exactly like the photo. 



The quality was also fantastic for the price given. They felt soft, smooth and had no loose threads, and the cardigans withstood frequent washes. In fact, we're wearing it right now as we type! Overall, Yoins is a reliable and trustworthy clothing shop and they really do pride themselves on the quality of the items. 


May 4, 2017

5 Facts You Never Knew about Damon Albarn

The Blur frontman has always been a bit mysterious and aloof with his personal stories. But here are 5 fun facts that you probably never knew about the man himself.

1. After his breakup with Justine Frischmann in the late 1990s, there are rumours he dated Melanie C from Spice Girls (Sporty Spice) and Shaznay Lewis from All Saints. He has been seen with them together in house parties hosted by Albarn and Jamie Hewlett in their pad in London during his recovery days. He has always had an open relationship with Justine Frischmann and was caught kissing an Australian DJ back in the days.

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2. Blur and the gang used to play a "Punching Game" with each other, where they'd take it in turns to hit each other as hard as they can. Alex James recalls: “There was one tour in America that I had two black eyes,” James claimed. “One from Graham and one from Dave. And Damon broke my nose once. But you know… there was never any question we would split up. We were tighter than ever.” “Dave used to play this game called the Punching Game,” James continued. “We all took it in turns to punch each other. I remember playing it with the bass player from Dinosaur Jr… he was fucking massive. Taller than me. He lumped the shit out of everyone.”

3. Damon finally admitted to using heroin in his latest autobiographical album Everyday Robots (2015). The song "You and Me", referencing Justine Frischmann and his heroin use, found him admitting his 5-day-a-week regime. He has said that it's a relief that it can all become out in the open, since he was "mysterious" about his heroin usage during the 1990s.

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4. Damon has a really close relationship with his daughter Missy Albarn. He always writes songs for her and according to him, she "cries" with embarassment. He also admits that his collaborations in the latest Gorillaz album Humanz is based off Missy's choices and favorites. What a dad!

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5. Damon is a perpetual suitor when it comes to collaborations. How he managed to get Lou Reed, the Velvet Underground star on the old Gorillaz album was because he sent in hundreds of songs but were all rejected by Lou Reed. He said the secret to his success is to never give up on pestering the great musicians of his time.


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