Damon Albarn releases New Song 'Gumbri' with Kaktus Einarsson

Damon Albarn has recently released a new single with "Gumbri" by Kaktus Einarsson feat. Damon Albarn's wispy vocals. "Gumbri" is a collaborative track by Icelandic musician Kaktus Einarsson and British artist Damon Albarn, released in September 2024.

The song serves as the lead single from Einarsson's second album, Lobster Coda, which was released on October 25, 2024. 

The collaboration between Einarsson and Albarn is rooted in a longstanding professional relationship. At 15, Einarsson played the trumpet on Gorillaz's track "Stop The Dams," and later contributed to Albarn's solo debut, Everyday Robots. 

"Gumbri" marks their first joint effort as solo artists. Musically, "Gumbri" blends introspective lyrics with a groovy instrumental backdrop. The accompanying music video features both artists in a natural setting, engaging in activities like lounging among trees and feeding chickens, complementing the song's reflective tone. 

The track is available on various streaming platforms, including Spotify and Apple Music.

About Kaktus Einarsson

Kaktus Einarsson, a visionary musician and artist from Iceland, has carved out a distinct place in the music world with his bold fusion of genres. Growing up in Reykjavík, he started his musical path remarkably early, joining the experimental electronic group Ghostigital at just 10 years old. Later, he became the frontman of the post-punk band Fufanu, a role that earned him opportunities to share the stage with major acts like Radiohead and the Red Hot Chili Peppers. 

In 2021, Kaktus embarked on a solo career, releasing his debut album, Kick the Ladder, which showcased his innovative blend of electronic, classical, and pop influences. This was followed by Lobster Coda in 2024, an album enriched with collaborations from notable artists, including Damon Albarn, Nanna Bryndís Hilmarsdóttir from Of Monsters and Men, and School of X’s Rasmus Littauer. 

Kaktus's artistic journey is marked by unique partnerships and memorable contributions. He played trumpet on Gorillaz's track "Stop The Dams" at just 15 and contributed to Damon Albarn's solo album, Everyday Robots. His music is a testament to his fearless exploration and dedication to pushing creative boundaries.

Listen to 'Gumbri' below 

Gumbri lyrics

[Verse 1: Kaktus Einarsson] 

Wake up every morning without an alarm that I can snooze 

Try to maintain tempo with a one plus three we've managed to defuse 

A life of surprises in a bevel full of joy 

There are different rooms with different roads 

Amongst the tourists I hide, grab a fresh bread bun to go 

Try to write some happy songs, but it makes me feel so wrong 

I am privileged, I've known for long 

But there are different roads to different moods

[Chorus: Damon Albarn & Kaktus Einarsson] 

Living on the edge embrace a unique self 

You saw in my palm with every sun that sets I drift and roam a subtle flow 

As the world reveals its truths one by one I start to feel where my life needs to go 

[Verse 2: Kaktus Einarsson] 

Dance in the club as daybreak claims the sky again 

A labyrinth of chambers it’s pounding the kick drum though my head 

A real time spectrum every door a check 

There are different rooms with different roads 

Dreams of the cruise ship life sailing into old its old 

Alive and anchored in a bubble that simply stays afloat 

Is that something for me, I cannot know 

There are different rooms with different moods

[Chorus: Damon Albarn & Kaktus Einarsson] 

Living on the edge embrace a unique self 

You saw in my palm with every sun that sets I drift and roam a subtle flow 

As the world reveals its truths one by one I start to feel where my life needs to go 

Living on the edge embrace a unique self 

You saw in my palm with every sun that sets 

I drift and roam a subtle flow

As the world reveals its truths one by one 

I start to feel where my life needs to go 

As the world reveals its truth one by one 

I start to feel where my life needs to go

Best Damon Albarn Quotes About Work

Dive into the mind of Damon Albarn, the visionary behind Blur and Gorillaz, through his own words. These 20 quotes offer a glimpse into his unique perspective on music, life, and art, revealing the depth and ingenuity of a true musical maverick.

21. "I used to go to work and take heroin in the studio and then stop when I came home."
22. 
    
23. "Well, as resources inevitably disappear [in Africa], people have to make do with a lot less. You have to be much more ingenious with a lot less, and accept that you can't get your perfect tuna sandwich on a street corner."
24. 
    
25. "I was going through a breakup. I was depressed... I really did need to do something. Recording an album was a great escape. I don't know what would have happened if I wouldn't have started to work."
26. 
    
27. "I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works."
28. 
    
29. "I used to be younger than my producers but now I'm older than my producers and I think that works for me, that works better cause you get a good kick up the ... everyday."
30. 
    

21. "I'm slightly ambivalent to the whole relationship between the whole advertising world and music. I think sometimes it works and sometimes it's a really bad mismatch."
22. 
    
23. "I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics."
24. 
    
25. "The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity-obsessed culture to move around genres and sort of change your ideas, change your face, you know?"
26. 
    
27. "When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this."
28. 
    
29. "Being in Blur has allowed me to travel and hear the music that’s being made all over the world."
30. 
    
31. "As soon as it sounds fine, I’m on to the next thing, man."
32. 
    
33. "It’s not like my old self – I’m not in character anymore, I’m me. I’m not hiding behind that anymore."
34. 
    
35. "I was approached by Oxfam to go to Mali as their ambassador and get involved in their various initiatives out there."
36. 
    
37. "Music is something that should speak for itself, straight from the heart."
38. 
    
39. "I don’t need to be a frontman all the time, and in fact, the older I get, the less of an urge it is inside me to play that role."
40. 
    
41. "Whenever you’re writing something that’s reflective, you have to put yourself through some sort of ordeal just to understand the way you’re feeling."
42. 
    
43. "I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link."
44. 
    
45. "More and more, cultural groups are cross-pollinating, and we’re getting much more interesting art as a result."
46. 
    
47. "The whole period has taught me that I enjoy being part of an ensemble rather than just a front man."
48. 
    
49. "I like to go to Africa purely with something to do. I’m not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it’s not me at all."

Top 20 Damon Albarn Quotes About His Music And Life

Here are 20 quotes by Damon Albarn, reflecting his thoughts on music, life, and creativity:

1. "The things that make me happy most are my family and working."
2. "If you don't see something as a career but as an important part of your life, you don't know how you're going to feel about it." 
3. "There's always been a hip-hop element to my trousers." 
4. "I have to wear a new T-shirt every night. I throw them into the audience. One day I'm going to go around the world and reclaim all my T-shirts." 
5. "What you learn from working with other performers and musicians is invaluable, really, and can only help you grow." 
6. "Each individual has their own opinions about whether war is an answer to any problems. Personally I think it's a waste of time." 
7. "No, every album is something like a snapshot. It only shows one moment in time." 
8. "Yeah. You've seen The Sun today; I've got myself a big house, settled down. Apart from the odd night out with the New Fathers' Club, I'm a family man now." 
9. "The whole Gorillaz concept is one for mavericks; it's a way for people who never have a chance to work together being able to ally behind the cartoons." 
10. "Every time I go to Africa, I see the future. I see what the Western world is going to become. It's a very futuristic place." 
11. "Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time."
12. "I've always been inspired by different cultures and their musical traditions. Diversity is what makes our world so beautiful."
13. "My goal is to constantly evolve as an artist and explore new sounds and ideas." 
14. "Music has the ability to transport you to different places and evoke a wide range of emotions." 
15. "The best songs are the ones that connect with people on a personal level. They become a part of their lives."
16. "Failure is just a part of the creative process. It's through our mistakes that we learn and grow." 
17. "I believe that art should challenge people's perceptions and make them think." 
18. "Being in Blur has allowed me to travel and hear the music that’s being made all over the world." 
19. "It’s not like my old self – I’m not in character anymore, I’m me. I’m not hiding behind that anymore." 
20. "The cartoon is a metaphor really for the fact that it’s almost impossible in our celebrity obsessed culture to move around genres and sort of change your ideas, change your face, you know?" 

 

The Art of Blur: the Band's Visual and Musical Aesthetics

As a lifelong Blur fan, I've not only been captivated by their infectious melodies and insightful lyrics but also deeply intrigued by the artistry that encapsulates their visual and musical aesthetics. Blur, in their decades-long career, has not just created music; they've crafted a multi-sensory experience that merges sight and sound in a way that few bands have managed.

Blur's visual identity has been as integral to their appeal as their music. The cover of their debut album, "Leisure" (1991), with its psychedelic swirls, set the tone for a band that was ready to challenge the status quo. But it was with "Modern Life is Rubbish" (1993) that their visual identity began to mirror their growing exploration of British identity and culture. The album cover, featuring a vintage British railway ticket, was a statement against the American grunge trend and a nod to the quintessentially British themes that would become their hallmark.

With "Parklife" (1994), Blur's visual and musical identity fused perfectly. The album cover, portraying greyhounds in mid-race, captured the essence of British life – dynamic, competitive, and somewhat absurd. Musically, the album was a mosaic of genres, from punk to new wave and Britpop, all tied together by Damon Albarn's satirical yet poignant storytelling. Songs like "Girls & Boys" and "Parklife" were not just catchy tunes; they were reflections on the society of the time, set against a backdrop of vibrant, varied instrumentation that made the album a cultural landmark.

The release of "The Great Escape" (1995) saw Blur's visual and musical aesthetics take a more introspective turn. The cover art, featuring a melancholic suburban landscape, complemented the album's themes of disillusionment and the desire to escape. Musically, the album was a complex mix of orchestral sweeps and electronic nuances, showcasing the band's evolving sound palette.

Blur's self-titled album in 1997 marked a significant shift both visually and musically. The minimalist cover art, with its simple white background and bold black lettering, mirrored the band's exploration of a rawer, more experimental sound. Songs like "Song 2" burst with gritty energy, a stark departure from their earlier Britpop style, reflecting the band's willingness to reinvent themselves.

"13" (1999) was a further evolution, with its abstract, emotive cover art echoing the album's exploration of more personal and existential themes. The music, with its eclectic mix of electronic, gospel, and ambient influences, was a testament to the band's artistic bravery and versatility.

In examining Blur's aesthetic journey, it's evident that their visual artistry is inextricable from their musical evolution. Each album cover was not just a visual accompaniment but a narrative extension of the music within. Their ability to capture the essence of a particular moment, both culturally and personally, through a combination of visual and musical storytelling, is what sets them apart.

As a fan, witnessing Blur's journey has been like watching a series of vivid paintings come to life, each album a new scene in a continually evolving landscape. They've taught me that music is not just an auditory experience; it's a visual and emotional journey that can capture the zeitgeist of an era, challenge societal norms, and express the complexities of the human experience.

In sum, the art of Blur – both visual and musical – is a testament to their creativity, versatility, and enduring impact on the music world. Their ability to blend sound and sight into a cohesive, evocative narrative is what makes them one of the most influential bands of their generation. As a fan, I can’t help but be excited about what artistic horizons they will explore next.