If you’ve ever listened to the early, genre-bending sounds of Gorillaz and wondered how Damon Albarn reached those incredible falsetto notes, the man himself has finally offered an explanation. And it’s a candid one.
In a recent interview with Rollout Stone, the Blur frontman pulled back the curtain on the creation of the band's self-titled 2001 debut, Gorillaz. The secret to his vocal gymnastics? He credits a chapter of his life he’s since moved on from.
“It was definitely… related to the drugs I was taking,” Albarn revealed. “I was a much more irresponsible human being.”
Reflecting on the album that gave us classics like “Clint Eastwood,” he expressed a sense of wonder at his past self: “I can’t quite believe I can still hit the falsetto. That first record has a crazy amount of falsetto... I was hitting some notes I really didn’t think coming back I’d be able to hit again.”
But there’s a new reason for his vocal optimism. Albarn shared that he quit smoking a year and a half ago, and he’s convinced that ditching cigarettes has given him a “little more of a chance” of reaching those heights again—nearly 25 years later.
This reflection comes as Gorillaz celebrates its legacy with a special series of shows in London. At the Copper Box venue, the virtual band is performing their first three albums in their entirety, building up to a final ‘mystery’ show. Rumors are swirling that this event will be the grand unveiling of their next album.
The buzz doesn't stop there. An accompanying exhibition, House of Kong, has fans speculating that the follow-up to 2023’s Cracker Island is imminent.
And Albarn is certainly not resting on his laurels. Last year, he hinted at a staggeringly busy 2025, confirming he was finishing not only a new Gorillaz album but also The Magic Flute II, La Malediction—an electronic opera sequel to Mozart’s classic.
“One opera and one new Gorillaz album seems like enough for 2025!” he joked to Les Inrockuptibles magazine. “Unless someone accuses me of taking my foot off the gas!”
His passion for the operatic project is palpable. He calls it “one of the best things I’ve ever done” and promises an entirely new experience for audiences. He also hopes to release an album of the opera's songs, describing the upcoming performance as a “first draft” for the curious-minded.
So, from the drug-fueled vocal experiments of the past to a smoke-free, creatively explosive present, Damon Albarn continues to evolve. It seems the voice behind Gorillaz still has plenty of stories left to sing, both high and low.
